1
00:00:07,282 --> 00:00:09,706
( man )
IN THE YEAR 2050,
EARTH WAS INVADED
2
00:00:09,739 --> 00:00:12,296
BY A HUMANOID RACE
CALLED THE HING.
3
00:00:12,329 --> 00:00:15,822
FOR SIX YEARS, A HARD
AND GRINDING WAR WAS FOUGHT.
4
00:00:15,855 --> 00:00:17,500
AT ITS CONCLUSION,
5
00:00:17,533 --> 00:00:20,083
WE WERE FORCED TO AGREE
THAT THE HING
6
00:00:20,118 --> 00:00:23,540
WOULD RETAIN CONTROL
OVER LAND ALREADY WON.
7
00:00:23,772 --> 00:00:25,752
IT WAS AN UNEASY TRUCE,
8
00:00:25,785 --> 00:00:28,470
ESPECIALLY IN A CITY CALLED
ARCHANGEL.
9
00:00:50,090 --> 00:00:51,399
ARCHANGEL.
10
00:00:51,433 --> 00:00:53,815
ARCHANGEL.
11
00:00:54,889 --> 00:00:56,802
THE BRIDGE IS
THIS WAY.
12
00:00:56,835 --> 00:00:58,211
AH! OH!
13
00:00:58,244 --> 00:01:01,063
GO ON, I JUST
NEED A SECOND.
14
00:01:01,098 --> 00:01:04,285
IT'S THE PARASITE.
15
00:01:04,319 --> 00:01:07,742
THE BOOBY TRAPS
WILL BUY SOME TIME.
16
00:01:09,889 --> 00:01:11,500
THIS WILL CUT
THE PAIN.
17
00:01:11,533 --> 00:01:12,977
OH!
18
00:01:14,117 --> 00:01:15,459
OKAY.
19
00:01:16,534 --> 00:01:18,480
THANK GOD
FOR PAINKILLERS.
20
00:01:21,031 --> 00:01:22,373
COME ON, COME ON.
21
00:01:23,581 --> 00:01:27,809
IF WE CAN BEAT THE HELIS,
WE HAVE A CHANCE.
22
00:01:30,124 --> 00:01:32,842
( dogs barking )
23
00:01:34,352 --> 00:01:36,064
I'LL GO FIRST.
24
00:01:39,856 --> 00:01:41,165
STOP!
25
00:01:41,198 --> 00:01:42,641
LIE DOWN.
26
00:01:42,675 --> 00:01:44,420
SURE, ANYTHING
FOR A HING.
27
00:01:44,453 --> 00:01:47,742
COM-LINK ON.
28
00:01:47,775 --> 00:01:49,789
WE'RE IN
SUB-SECTOR FOUR.
29
00:01:49,823 --> 00:01:51,903
WE'VE GOT
NOTHING HERE.
30
00:01:53,648 --> 00:01:55,594
I HAVE THE MAN...
31
00:01:57,104 --> 00:01:58,748
BUT STILL NO SIGN
32
00:01:58,783 --> 00:02:00,192
OF THE WOMAN.
33
00:02:00,225 --> 00:02:01,635
I'M IN SECTOR 23-58.
34
00:02:01,668 --> 00:02:02,943
I'LL CONTINUE
MY SEARCH
35
00:02:02,977 --> 00:02:04,319
UNTIL I FIND HER.
36
00:02:07,440 --> 00:02:10,360
YOU'LL HAVE TO DO
BETTER THAN THAT.
37
00:02:16,299 --> 00:02:18,077
WHAT HAVE YOU DONE?
38
00:02:32,857 --> 00:02:35,139
CASS!
39
00:02:38,930 --> 00:02:40,441
WAS THAT BETTER?
40
00:02:49,334 --> 00:02:51,011
( siren wailing )
41
00:03:01,347 --> 00:03:04,737
COM-LINK, THIS IS
HIGH CENTURION SULAT RAY.
42
00:03:04,770 --> 00:03:07,723
I HAVE A MAN DOWN.
43
00:03:07,757 --> 00:03:09,770
HE'S BEEN INFECTED.
44
00:03:09,804 --> 00:03:12,086
THE HUMANS HAVE CROSSED
THE ROAD.
45
00:03:12,119 --> 00:03:15,106
LET THE PATROLS CONTINUE
SWEEPING TO THE NORTHWEST.
46
00:03:15,139 --> 00:03:18,227
KILL THEM OR CONTAIN THEM,
BUT DON'T GET TOO CLOSE.
47
00:03:18,260 --> 00:03:19,971
SULAT RAY, OUT.
48
00:03:20,005 --> 00:03:22,186
HELP...ME.
49
00:03:22,219 --> 00:03:26,079
I'M SORRY, DURO, BUT I CAN'T
TAKE THE CHANCE OF IT SPREADING.
50
00:03:27,354 --> 00:03:28,931
NO!
51
00:03:36,570 --> 00:03:40,531
( Control Voice )
THERE IS NOTHING WRONG WITH
YOUR TELEVISION.
52
00:03:40,564 --> 00:03:43,551
DO NOT ATTEMPT
TO ADJUST THE PICTURE.
53
00:03:43,584 --> 00:03:46,571
WE ARE NOW CONTROLLING
THE TRANSMISSION.
54
00:03:46,604 --> 00:03:48,585
WE CONTROL THE HORIZONTAL
55
00:03:48,618 --> 00:03:50,598
AND THE VERTICAL.
56
00:03:50,631 --> 00:03:53,618
WE CAN DELUGE YOU
WITH A THOUSAND CHANNELS
57
00:03:53,651 --> 00:03:58,148
OR EXPAND ONE SINGLE IMAGE
TO CRYSTAL CLARITY
58
00:03:58,182 --> 00:04:00,094
AND BEYOND.
59
00:04:00,128 --> 00:04:02,712
WE CAN SHAPE YOUR VISION
60
00:04:02,745 --> 00:04:07,712
TO ANYTHING OUR IMAGINATION
CAN CONCEIVE.
61
00:04:07,745 --> 00:04:09,726
FOR THE NEXT HOUR,
62
00:04:09,759 --> 00:04:13,786
WE WILL CONTROL ALL THAT
YOU SEE AND HEAR.
63
00:04:15,799 --> 00:04:18,819
( ♪ )
64
00:04:19,675 --> 00:04:23,635
YOU ARE ABOUT TO EXPERIENCE
THE AWE AND MYSTERY
65
00:04:23,669 --> 00:04:26,655
WHICH REACHES FROM
THE DEEPEST INNER MIND
66
00:04:26,689 --> 00:04:29,714
TO
--THE OUTER LIMITS.
67
00:04:42,127 --> 00:04:45,694
SOME MEN LOSE THEMSELVES
IN WAR.
68
00:04:45,727 --> 00:04:47,760
OTHERS FIND THEMSELVES.
69
00:04:47,794 --> 00:04:49,760
( ♪ )
70
00:04:49,794 --> 00:04:51,394
WHAT IS THIS?
71
00:04:51,427 --> 00:04:54,360
JUST A LITTLE
SOMETHING NEW
I DREAMED UP.
72
00:04:54,394 --> 00:04:55,694
A MOCHAPALOOZA.
73
00:04:55,727 --> 00:04:57,027
A LITTLE LESS
PALOOZA,
74
00:04:57,060 --> 00:04:58,360
A LITTLE MORE MOCHA.
75
00:04:58,394 --> 00:04:59,927
THERE'S OPEN FLAMES IN HERE.
76
00:05:01,027 --> 00:05:03,027
AH,
77
00:05:03,060 --> 00:05:05,827
THE SHINING LIGHT
OF MOTHER RUSSIA
JUST WALKED IN.
78
00:05:05,860 --> 00:05:07,494
GOOD EVENING, ALEX.
79
00:05:07,527 --> 00:05:09,160
GOOD EVENING, MICHAEL.
80
00:05:09,194 --> 00:05:11,260
EVERYONE SEEMS UNUSUALLY
BOISTEROUS TONIGHT.
81
00:05:11,294 --> 00:05:12,760
THEY'RE ANTICIPATING
YOUR ARRIVAL.
82
00:05:12,794 --> 00:05:14,827
OH,
83
00:05:14,860 --> 00:05:16,294
MY, MY, MY.
84
00:05:16,327 --> 00:05:17,794
WHAT IS THE OCCASION?
85
00:05:17,827 --> 00:05:22,527
I HOPE YOU HAVEN'T SUDDENLY
BECOME GENEROUS IN OLD AGE.
86
00:05:22,560 --> 00:05:24,460
WE RAISED THE PRICE.
87
00:05:24,494 --> 00:05:26,660
75 CENTS.
75 CENTS.
88
00:05:26,694 --> 00:05:27,994
MMM.
89
00:05:28,027 --> 00:05:31,860
I WOULD HAVE THOUGHT IT WAS
WORTH AT LEAST A DOLLAR.
90
00:05:31,894 --> 00:05:34,494
SURE, WHY NOT?
I LIKE ROUND NUMBERS.
91
00:05:34,527 --> 00:05:36,327
YEAH, SO DO I.
92
00:05:36,360 --> 00:05:39,094
A PROSPEROUS EVENING
FOR EVERYONE.
93
00:05:39,127 --> 00:05:40,827
SOME MORE THAN OTHERS.
94
00:05:40,860 --> 00:05:42,427
ON MORE JEJUNE MATTERS...
95
00:05:58,794 --> 00:06:02,494
A PAIR OF NATO SOLDIERS MAY HAVE
ENTERED ARCHANGEL THIS EVENING.
96
00:06:02,527 --> 00:06:03,927
THAT'S UNDERSTANDABLE.
97
00:06:03,960 --> 00:06:06,394
WE'RE THE GARDEN SPOT
OF THE BARENTS SEA.
98
00:06:06,427 --> 00:06:08,394
THE HING ARE
BLUSHING RAINBOWS.
99
00:06:08,427 --> 00:06:09,860
WHAT'S YOUR POINT?
100
00:06:09,894 --> 00:06:12,794
A TWO-MAN HING SCOUT CRAFT
WAS HIJACKED
101
00:06:12,827 --> 00:06:14,760
A MONTH AGO.
102
00:06:14,794 --> 00:06:16,460
SO I HEARD.
103
00:06:16,494 --> 00:06:19,460
NO DOUBT BLACK MARKETEERS
DOUBLE CROSSED THEM.
104
00:06:19,494 --> 00:06:20,994
NO DOUBT.
105
00:06:21,027 --> 00:06:24,460
THAT WOULD COME IN HANDY
FOR GETTING BACK TO AMERICA.
106
00:06:24,494 --> 00:06:26,860
YEAH, IF THEY GOT
THEIR HANDS ON IT.
107
00:06:26,894 --> 00:06:30,760
ALL THIS CAN BE GONE
IN AN INSTANT, YOU KNOW.
108
00:06:30,794 --> 00:06:34,060
THE HING HAVE A VERY SLENDER
SENSE OF HUMOR.
109
00:06:34,094 --> 00:06:36,594
SLENDER MIGHT BE
A LITTLE TOO BROAD.
110
00:06:38,060 --> 00:06:40,027
SO, IF YOU HEAR ANYTHING...
111
00:06:40,060 --> 00:06:41,694
DIRECT THEM TO THE BUS.
112
00:06:41,727 --> 00:06:44,560
LUCKY FOR ME, I CAN WALK HOME.
113
00:06:44,594 --> 00:06:46,927
IF YOU LIKE HOME.
114
00:06:46,960 --> 00:06:50,060
YOU EVER THINK ABOUT HOME,
MICHAEL?
115
00:06:50,094 --> 00:06:52,227
I AM HOME.
116
00:06:52,260 --> 00:06:54,694
BUT ARCHANGEL WASN'T ALWAYS
YOUR HOME.
117
00:06:54,727 --> 00:06:56,427
AND DINOSAURS
WEREN'T ALWAYS OIL,
118
00:06:56,460 --> 00:06:59,060
BUT THAT WAS A LONG TIME AGO.
119
00:06:59,094 --> 00:07:00,494
JUST CHECKING TO SEE
120
00:07:00,527 --> 00:07:03,560
IF NOT ALL YOUR FEELINGS
CAN BECOME FOSSILIZED.
121
00:07:03,594 --> 00:07:06,227
FEELINGS ARE BAD FOR BUSINESS.
122
00:07:06,260 --> 00:07:08,360
BUT LIFE ISN'T
ALL BUSINESS.
123
00:07:08,394 --> 00:07:10,094
YOU SHOULD TAKE A VACATION.
124
00:07:10,127 --> 00:07:13,460
VACATIONS SCARE ME.
125
00:07:13,494 --> 00:07:16,327
GOOD EVENING, MICHAEL.
126
00:07:18,727 --> 00:07:20,360
THE NIGHT'S STILL YOUNG.
127
00:07:20,394 --> 00:07:21,860
OH.
128
00:07:53,994 --> 00:07:55,327
( clearing throat )
129
00:08:01,694 --> 00:08:04,094
7/16ths,
10 MILLIMETERS...
130
00:08:04,127 --> 00:08:07,694
WHY CAN'T WE ALL USE
THE SAME SYSTEM, HUH?
131
00:08:07,727 --> 00:08:09,694
IT'S A PLOT, I TELL YOU.
132
00:08:09,727 --> 00:08:11,160
MASS INSANITY...
133
00:08:11,194 --> 00:08:12,894
INDUCED BY NUTS.
134
00:08:12,927 --> 00:08:15,094
MY FRIEND
AND I ARE LOOKING
135
00:08:15,127 --> 00:08:17,094
FOR A NICE WARM BED.
136
00:08:17,127 --> 00:08:19,127
ONE THAT DOESN'T
HAVE...BUGS.
137
00:08:21,894 --> 00:08:23,960
I'D RECOMMEND
THE HILTON...
138
00:08:23,994 --> 00:08:25,960
BUT IT GOT BLOWN UP!
139
00:08:25,994 --> 00:08:27,994
( laughing )
140
00:08:30,427 --> 00:08:33,394
WE NEED TO GET OUT
OF ARCHANGEL IMMEDIATELY.
141
00:08:33,427 --> 00:08:36,027
I GOT BULLETS.
AND I'VE GOT A GUN.
142
00:08:36,060 --> 00:08:38,594
HEY, WHERE HAS THE HUMOR GONE?
143
00:08:38,627 --> 00:08:41,694
WE STILL NEED TO GET OUT.
144
00:08:41,727 --> 00:08:44,260
YOU THINK I CAN ARRANGE IT?
145
00:08:44,294 --> 00:08:46,994
WE WERE TOLD THE UNDERGROUND
HAD CONNECTIONS.
146
00:08:47,027 --> 00:08:50,960
TO TRADE ON THE BLACK MARKET,
SOMETIMES EVEN TO DO THINGS,
147
00:08:50,994 --> 00:08:52,627
BUT TO GET OUT?
148
00:08:52,660 --> 00:08:55,594
I VOTE FOR THE BULLETS.
149
00:08:57,460 --> 00:09:00,394
THERE MUST BE SOMEBODY
WE CAN TALK TO.
150
00:09:05,127 --> 00:09:07,860
NOT DRESSED LIKE THAT.
151
00:09:11,927 --> 00:09:14,260
DOUBLE THE GUARD
ON THE SCOUT CRAFT.
152
00:09:14,294 --> 00:09:15,594
CONSIDER IT DONE.
153
00:09:15,627 --> 00:09:16,960
HEY, I COULD USE
154
00:09:16,994 --> 00:09:18,294
A HAND WITH THESE.
155
00:09:18,327 --> 00:09:19,627
HECTOR WILL HELP YOU.
156
00:09:19,660 --> 00:09:21,560
IT'S NOT ME
SHE'S INTERESTED IN.
157
00:09:21,594 --> 00:09:24,460
THAT'S WHY YOU'RE GOING
AND NOT ME.
158
00:09:24,494 --> 00:09:27,294
HOW'S A REAL HERO GET TO BE
SO CHICKEN?
159
00:09:27,327 --> 00:09:30,960
I'D TELL YOU BUT THEN
I'D HAVE TO PECK YOU TO DEATH.
160
00:09:32,460 --> 00:09:34,360
GO HELP TERI.
161
00:09:44,194 --> 00:09:46,394
YOU, YOU, YOU TWO --
162
00:09:46,427 --> 00:09:47,727
TAKE THEM!
163
00:09:47,760 --> 00:09:49,194
( woman struggling )
164
00:09:50,694 --> 00:09:52,327
HURRY UP!
165
00:10:07,760 --> 00:10:10,760
( ♪ )
166
00:10:18,460 --> 00:10:19,894
EXCUSE ME.
167
00:10:21,694 --> 00:10:25,027
ALLOW ME TO INTRODUCE MYSELF.
168
00:10:25,060 --> 00:10:27,894
I AM HIGH CENTURION SULAT RAY.
169
00:10:27,927 --> 00:10:29,860
HOW DO YOU DO?
170
00:10:29,894 --> 00:10:33,794
I'M LOOKING
FOR A COUPLE
NEW TO ARCHANGEL.
171
00:10:33,827 --> 00:10:35,960
PERHAPS YOU HAVE SEEN THEM.
172
00:10:35,994 --> 00:10:38,260
ARCHANGEL IS A VERY BIG PLACE.
173
00:10:38,294 --> 00:10:41,794
I ONLY CAUGHT A GLIMPSE
OF THE WOMAN.
174
00:10:41,827 --> 00:10:45,460
SHE SEEMED QUITE BEAUTIFUL,
LIKE YOU.
175
00:10:45,494 --> 00:10:48,460
YOU'RE VERY KIND.
176
00:10:48,494 --> 00:10:49,794
NOT AT ALL.
177
00:10:49,827 --> 00:10:51,327
THEY'RE WANTED FOR SABOTAGE.
178
00:10:52,760 --> 00:10:57,427
I THOUGHT I KNEW ALL
THE BEAUTIFUL WOMEN IN THE CITY.
179
00:10:57,460 --> 00:11:00,860
SO, WHAT BRINGS YOU
TO
HEAVEN?
180
00:11:00,894 --> 00:11:02,360
I'M...
181
00:11:02,394 --> 00:11:06,160
I'M HERE TO AUDITION
FOR THE BAND.
182
00:11:06,194 --> 00:11:08,927
OH,
WHAT DO YOU PLAY?
183
00:11:08,960 --> 00:11:11,660
NOTHING...
184
00:11:11,694 --> 00:11:13,427
SHE SINGS.
185
00:11:15,160 --> 00:11:17,560
I THOUGHT YOU ALREADY HAD
186
00:11:17,594 --> 00:11:18,927
A SINGER.
187
00:11:18,960 --> 00:11:21,894
HE DOESN'T LOOK
SO GOOD IN A DRESS.
188
00:11:21,927 --> 00:11:24,727
I PUT OUT THE WORD
THAT I WAS LOOKING
189
00:11:24,760 --> 00:11:26,427
FOR AN
ADDITIONAL SINGER.
190
00:11:26,460 --> 00:11:29,427
WHAT KIND OF SONGS
DO YOU SING?
191
00:11:29,460 --> 00:11:30,994
UM...
192
00:11:31,027 --> 00:11:33,594
GO AHEAD.
KNOCK YOURSELF OUT.
193
00:11:58,846 --> 00:12:01,013
( ♪ )
194
00:12:09,937 --> 00:12:13,337
♪ ALL THAT I WANTED ♪
195
00:12:15,237 --> 00:12:18,437
♪ WAS A LOVE TO BE TRUE ♪
196
00:12:20,104 --> 00:12:25,270
♪ COME IN
FROM THE COLD NOW, BABY ♪
197
00:12:25,304 --> 00:12:28,737
♪ GET TANGLED IN YOU ♪
198
00:12:28,770 --> 00:12:34,804
♪ JUST BREATHE IN
AND BREATHE OUT ♪
199
00:12:34,837 --> 00:12:43,570
♪ BREATHE IN
AND BREATHE OUT TONIGHT ♪
200
00:12:44,870 --> 00:12:49,970
♪ 'CAUSE YOU'RE MY SALVATION ♪
201
00:12:50,004 --> 00:12:53,337
♪ AND YOU HAVE SAVED ♪
202
00:12:54,704 --> 00:13:00,704
♪ A SOUL THAT WAS LOST ♪
203
00:13:08,670 --> 00:13:12,970
♪ I FELL SO HARD FOR YOU ♪
204
00:13:13,004 --> 00:13:17,037
♪ I TRIPPED ON THE SIDE ♪
205
00:13:18,737 --> 00:13:22,137
♪ JUST WHEN I COULDN'T SEE ♪
206
00:13:23,804 --> 00:13:28,337
♪ I FOUND SOMEONE ♪
207
00:13:28,370 --> 00:13:33,104
♪ JUST BREATHE IN
AND BREATHE OUT ♪
208
00:13:33,137 --> 00:13:43,004
♪ YEAH, BREATHE IN
AND BREATHE OUT TONIGHT ♪
209
00:13:43,037 --> 00:13:47,770
♪ 'CAUSE YOU'RE MY SALVATION ♪
210
00:13:50,137 --> 00:13:54,237
♪ BREATHE IN, BREATHE OUT ♪
211
00:13:54,270 --> 00:14:00,204
♪ JUST BREATHE IN
AND BREATHE OUT ♪
212
00:14:00,237 --> 00:14:12,070
♪ TONIGHT ♪
213
00:14:31,662 --> 00:14:33,095
SEE WHAT I MEAN?
214
00:14:33,128 --> 00:14:35,028
LIKE A BIRD,
215
00:14:35,062 --> 00:14:36,662
BUT WITH ATTITUDE.
216
00:14:37,228 --> 00:14:38,628
I LOOK FORWARD
217
00:14:38,662 --> 00:14:42,562
TO FURTHER PERFORMANCES, MISS...
218
00:14:42,595 --> 00:14:44,995
TRENTON.
219
00:14:45,028 --> 00:14:48,395
CASS TRENTON.
220
00:14:48,428 --> 00:14:50,028
YEAH,
221
00:14:50,062 --> 00:14:52,328
SO DO I.
222
00:14:56,495 --> 00:14:57,862
MICHAEL, I'M SORRY.
223
00:14:57,895 --> 00:14:59,228
I THOUGHT YOU DIED.
224
00:14:59,262 --> 00:15:01,562
OH, REALLY?
REALLY.
225
00:15:01,595 --> 00:15:03,062
OBVIOUSLY.
226
00:15:03,095 --> 00:15:04,962
I WAITED THREE MONTHS.
227
00:15:04,995 --> 00:15:06,595
DON'T LEAN FORWARD.
228
00:15:06,628 --> 00:15:09,962
MAKE LIKE YOU'RE ASKING
FOR MORE MONEY.
229
00:15:09,995 --> 00:15:11,595
THAT'S BETTER.
230
00:15:11,628 --> 00:15:14,495
I COULDN'T WAIT
ANY LONGER.
231
00:15:14,528 --> 00:15:16,962
THERE'S NO STATUTE
OF LIMITATIONS ON DEVOTION.
232
00:15:16,995 --> 00:15:18,528
THERE'S A WAR ON.
233
00:15:18,562 --> 00:15:19,928
DON'T REMIND ME.
234
00:15:19,962 --> 00:15:21,895
WHY DIDN'T YOU CONTACT ME?
235
00:15:21,928 --> 00:15:23,395
I TRIED.
236
00:15:23,428 --> 00:15:24,862
WHY DIDN'T YOU
KEEP TRYING?
237
00:15:24,895 --> 00:15:26,962
BECAUSE YOU WERE GONE.
238
00:15:26,995 --> 00:15:28,795
YOU DIDN'T WAIT.
239
00:15:28,828 --> 00:15:31,995
I DON'T LIKE WAITING
FOR PEOPLE WHO ARE GONE.
240
00:15:35,928 --> 00:15:38,462
NOW, SHAKE HANDS.
241
00:15:38,495 --> 00:15:40,095
SMILE.
242
00:15:41,495 --> 00:15:44,328
WHO'S HE?
243
00:15:46,095 --> 00:15:48,395
ON MY TEAM.
244
00:15:48,428 --> 00:15:51,462
YOU JUST SWITCHED LEAGUES.
245
00:15:52,495 --> 00:15:54,828
WE NEED TO GET OUT OF HERE.
246
00:15:56,395 --> 00:15:59,028
MICHAEL, I'M SORRY.
247
00:15:59,062 --> 00:16:02,895
I BET,
BUT I STILL CAN'T HELP YOU.
248
00:16:18,528 --> 00:16:20,228
MICHAEL,
249
00:16:20,262 --> 00:16:22,262
WHY DON'T YOU
JOIN US?
250
00:16:22,295 --> 00:16:24,162
WHATEVER IT IS,
THE ANSWER IS "NO".
251
00:16:24,695 --> 00:16:26,028
I TOLD YOU
252
00:16:26,062 --> 00:16:27,662
HE WOULDN'T ENLIST.
253
00:16:27,695 --> 00:16:30,795
IT'S JUST, I'VE NEVER
BEEN GOOD AT ATROCITIES.
254
00:16:30,828 --> 00:16:33,862
NEUTRALITY EXTENDS
ONLY SO FAR, MR. RYAN.
255
00:16:33,895 --> 00:16:35,728
WHAT DO YOU KNOW
ABOUT
256
00:16:35,762 --> 00:16:37,228
A MISSING SCOUT SHIP?
257
00:16:37,262 --> 00:16:38,695
IT'S MISSING.
258
00:16:38,728 --> 00:16:40,695
IF YOU HELP US FIND IT,
259
00:16:40,728 --> 00:16:44,228
I'LL ARRANGE PASSAGE
BACK TO AMERICA FOR YOU.
260
00:16:44,262 --> 00:16:46,028
DEAD OR ALIVE?
261
00:16:48,128 --> 00:16:49,395
WHICH WOULD YOU
PREFER?
262
00:16:49,428 --> 00:16:51,862
ALIVE --
MAKES SWALLOWING SO MUCH EASIER.
263
00:16:53,228 --> 00:16:56,295
HOW LONG HAVE YOU
KNOWN MISS TRENTON?
264
00:16:56,328 --> 00:16:58,028
A FEW WEEKS.
265
00:16:58,062 --> 00:16:59,662
WHERE DID YOU MEET?
266
00:16:59,695 --> 00:17:02,328
SHE
IS
--SINGLE,
BUT I DRAW THE LINE
267
00:17:02,362 --> 00:17:04,795
AT ASKING HER
IF SHE LIKES YOU.
268
00:17:07,228 --> 00:17:09,728
TWO NATO SOLDIERS MAY
CONTACT YOU ABOUT THE SHIP.
269
00:17:09,762 --> 00:17:11,495
WHY ME?
I SELL COFFEE.
270
00:17:11,528 --> 00:17:14,095
PERHAPS THEY'D LIKE
SOME FOR THE ROAD.
271
00:17:14,128 --> 00:17:15,928
WE'D LIKE YOU
272
00:17:15,962 --> 00:17:17,928
TO GIVE THEM
THE SHIP.
273
00:17:17,962 --> 00:17:20,895
SO YOU CAN ARREST THEM FOR
POSSESSION OF STOLEN PROPERTY.
274
00:17:20,928 --> 00:17:24,795
WE HAVE TO KEEP UP PRETENSES
WHEN IT SUITS US.
275
00:17:24,828 --> 00:17:29,162
SOLID PLAN,
EXCEPT I HAVEN'T GOT THE SHIP.
276
00:17:29,195 --> 00:17:31,195
( breaking glass )
277
00:17:31,228 --> 00:17:34,162
SUFFER ANY GOOD DEFEATS LATELY?
278
00:17:35,395 --> 00:17:37,962
THE REWARD
FOR ITS RECOVERY
279
00:17:37,995 --> 00:17:39,595
WOULD BE CONSIDERABLE.
280
00:17:39,628 --> 00:17:42,962
DO YOU MEAN MORE THAN
30 PIECES OF SILVER?
281
00:17:49,162 --> 00:17:50,628
THAT COUPLE!
282
00:17:51,562 --> 00:17:52,895
NO, NO, NO, NO!
283
00:17:54,262 --> 00:17:56,095
( woman screaming )
284
00:18:04,595 --> 00:18:07,128
DON'T FORGET
TO TIP YOUR WAITRESS.
285
00:18:08,495 --> 00:18:10,262
ALEX.
286
00:18:11,695 --> 00:18:13,962
HIGH CENTURION.
287
00:18:24,228 --> 00:18:25,528
SEE THE ANGEL FISH?
288
00:18:25,562 --> 00:18:27,862
HOW THEY RUSH FOR THE FOOD?
289
00:18:27,895 --> 00:18:30,195
DO YOU KNOW WHY THEY DO THAT?
290
00:18:30,228 --> 00:18:31,528
THEY'RE DESPERATE.
291
00:18:31,562 --> 00:18:34,995
AND WHEN THINGS ARE DESPERATE
YOU COULD GET BIT.
292
00:18:35,028 --> 00:18:36,328
WHAT WOULD IT COST
293
00:18:36,362 --> 00:18:37,662
TO RENT A TRUCK
294
00:18:37,695 --> 00:18:39,962
TO TAKE US
ACROSS THE BORDER?
295
00:18:39,995 --> 00:18:42,262
YOU'D HAVE TO SLEEP WITH ME.
296
00:18:42,295 --> 00:18:43,728
LET'S GO.
297
00:18:43,762 --> 00:18:45,062
NOT THAT DESPERATE?
298
00:18:45,095 --> 00:18:46,928
LOOK,
NOBODY CAN GET YOU
299
00:18:46,962 --> 00:18:48,262
ACROSS THE BORDER.
300
00:18:48,295 --> 00:18:50,128
WE'RE NOT LOOKING FOR A NOBODY.
301
00:18:50,162 --> 00:18:51,495
WE'RE LOOKING
302
00:18:51,528 --> 00:18:52,828
FOR A SOMEBODY.
303
00:18:52,862 --> 00:18:54,228
A TRUE PATRIOT, HUH?
304
00:18:54,262 --> 00:18:56,528
MR. FEEVI,
WE'RE LOOKING FOR SOMEBODY
305
00:18:56,562 --> 00:18:59,395
WITH THE COURAGE
TO DO WHAT'S RIGHT.
306
00:18:59,428 --> 00:19:02,962
THE CEMETERY'S A MILE DOWN
THE ROAD -- IT'S FULL OF THEM.
307
00:19:02,995 --> 00:19:05,062
DON'T YOU BELIEVE
IN ANYTHING?
308
00:19:05,095 --> 00:19:06,562
YEAH, STAYING ALIVE.
309
00:19:06,595 --> 00:19:09,862
IT'S TOO LATE FOR THAT,
'CAUSE YOU'RE ALREADY DEAD
310
00:19:09,895 --> 00:19:11,762
IN HERE.
311
00:19:16,162 --> 00:19:19,628
A COUPLE OF MONTHS AGO I RENTED
OUT A BIG FLATBED TRUCK,
312
00:19:19,662 --> 00:19:22,662
BIG ENOUGH TO MOVE
A HING SCOUT CRAFT,
313
00:19:22,695 --> 00:19:26,628
AND THE SCOUT CRAFT COULD
GET YOU ACROSS THE BORDER
314
00:19:26,662 --> 00:19:28,128
AND THEN SOME.
315
00:19:28,162 --> 00:19:30,128
WHO'D YOU RENT
THE TRUCK TO?
316
00:19:30,162 --> 00:19:31,595
A GUY NAMED HECTOR.
317
00:19:31,628 --> 00:19:33,062
HE WORKS FOR MICHAEL.
318
00:19:33,095 --> 00:19:35,828
WHY DON'T YOU ASK HIM?
319
00:19:35,862 --> 00:19:37,262
THANK YOU.
320
00:19:37,295 --> 00:19:38,595
LET'S GO.
321
00:19:38,628 --> 00:19:40,062
( screaming in pain )
322
00:19:40,095 --> 00:19:42,462
WHAT THE HELL'S WRONG WITH HER?
323
00:19:42,495 --> 00:19:43,862
HOLD ON.
324
00:19:43,895 --> 00:19:45,262
I GOT A PATCH.
325
00:19:45,295 --> 00:19:46,595
I GOT HER.
326
00:19:46,628 --> 00:19:49,928
CAN YOU GET YOUR HANDS
ON ANY TRIANTIPHENTENOL?
327
00:19:49,962 --> 00:19:51,262
THAT'S A VERY
328
00:19:51,295 --> 00:19:52,695
EXPENSIVE PAINKILLER,
AND ILLEGAL.
329
00:19:52,728 --> 00:19:55,762
WE'LL PAY YOU.
330
00:19:59,095 --> 00:20:00,595
IT'S OKAY.
331
00:20:00,628 --> 00:20:01,962
ALL RIGHT.
332
00:20:01,995 --> 00:20:03,462
I NEED MORE.
333
00:20:03,495 --> 00:20:04,795
THAT'S
THE LAST ONE.
334
00:20:04,828 --> 00:20:07,128
I'LL SEE
WHAT I CAN DO.
335
00:20:07,162 --> 00:20:08,495
THEN DO IT NOW.
336
00:20:08,528 --> 00:20:11,328
IT'S THE ONLY WAY
TO MANAGE THE PARASITE.
337
00:20:11,362 --> 00:20:12,828
WHAT HAPPENED?
338
00:20:12,862 --> 00:20:14,762
( screaming in pain )
339
00:20:24,195 --> 00:20:25,695
BURN HIM.
340
00:20:27,728 --> 00:20:29,595
NOW!
341
00:20:38,834 --> 00:20:40,600
500 A WEEK.
342
00:20:40,634 --> 00:20:42,534
MICHAEL,
I SAID I'M SORRY.
343
00:20:42,567 --> 00:20:43,867
I KNOW.
344
00:20:43,900 --> 00:20:47,534
HOW MUCH LONGER ARE YOU
GOING TO GRIND ME?
345
00:20:47,567 --> 00:20:49,534
HOW MUCH TIME
YOU GOT?
346
00:20:49,567 --> 00:20:52,367
I'M NOT SURE YOU
REALLY WANT TO KNOW.
347
00:20:52,400 --> 00:20:53,734
TRY ME.
348
00:21:03,234 --> 00:21:05,800
I'M CARRYING A HING PARASITE.
349
00:21:09,300 --> 00:21:10,767
WE STOLE IT.
350
00:21:10,800 --> 00:21:14,934
I'VE BEEN ALTERED BY
NATO SCIENTISTS TO BE ITS HOST.
351
00:21:14,967 --> 00:21:18,100
ITS BLOOD IS HIGHLY CONTAGIOUS
AND LETHAL TO THE HING.
352
00:21:18,134 --> 00:21:19,967
WINSTON AND I
DIDN'T THINK
353
00:21:20,000 --> 00:21:21,834
WE'D MAKE IT THIS FAR.
354
00:21:21,867 --> 00:21:23,167
WELL THAT'S JUST GREAT.
355
00:21:23,200 --> 00:21:25,134
YOU ALWAYS WERE A SURVIVOR.
356
00:21:25,167 --> 00:21:26,667
IF THEY CATCH ME--
357
00:21:26,700 --> 00:21:28,800
DON'T GET CAUGHT.
358
00:21:33,600 --> 00:21:35,800
THIS THING COULD END THE WAR.
359
00:21:35,834 --> 00:21:38,267
IF WE REPLICATE
ITS BLOOD, WE COULD
360
00:21:38,300 --> 00:21:39,600
WIPE OUT THE HING.
361
00:21:39,634 --> 00:21:41,600
WE NEED TO GET BACK.
362
00:21:41,634 --> 00:21:43,667
WE NEED THE SCOUT CRAFT.
363
00:21:43,700 --> 00:21:45,000
I'M SURE YOU DO.
364
00:21:45,034 --> 00:21:46,600
THEN GIVE IT TO US.
365
00:21:46,634 --> 00:21:48,267
I HAVEN'T GOT IT.
366
00:21:48,300 --> 00:21:51,467
WHY ARE YOU DOING THIS?
367
00:21:51,500 --> 00:21:53,200
I LIKE COFFEE BARS,
368
00:21:53,234 --> 00:21:55,867
AND I'VE GOT A LONG MEMORY.
369
00:21:55,900 --> 00:21:58,500
WHY CAN'T YOU REMEMBER
THE GOOD TIMES?
370
00:21:58,534 --> 00:21:59,834
I REMEMBER EVERYTHING.
371
00:21:59,867 --> 00:22:02,167
I REMEMBER WHERE I MET YOU.
372
00:22:02,200 --> 00:22:04,134
SAN DIEGO --
THAT OFFICERS' CLUB.
373
00:22:04,167 --> 00:22:07,167
YOU WERE SINGING THAT GUY
INTO THE GROUND
374
00:22:07,200 --> 00:22:08,500
AND ENJOYING IT.
375
00:22:08,534 --> 00:22:11,167
IT WAS A STUPID BET.
IT WASN'T FAIR.
376
00:22:11,200 --> 00:22:13,167
I'D SUNG
BEFORE I'D ENLISTED.
377
00:22:13,200 --> 00:22:14,500
HE WAS AN AMATEUR.
378
00:22:14,534 --> 00:22:15,900
YOU WERE SOMETHING ELSE.
379
00:22:15,934 --> 00:22:17,300
SO WERE YOU.
380
00:22:17,334 --> 00:22:18,634
WHAT AM I NOW?
381
00:22:18,667 --> 00:22:20,434
I WISH I KNEW.
382
00:22:22,034 --> 00:22:25,067
I HAVEN'T CHANGED --
IT'S THE WORLD THAT'S CHANGED.
383
00:22:25,517 --> 00:22:27,551
I HADN'T NOTICED.
384
00:22:27,584 --> 00:22:29,784
SO, NOW WE'RE HERE.
385
00:22:30,151 --> 00:22:32,851
ANOTHER PRANK OF FATE?
386
00:22:33,135 --> 00:22:35,835
ONE OF THOSE ACCIDENTS OF LIFE?
387
00:22:37,235 --> 00:22:38,868
CURVE BALL YOU DON'T EXPECT?
388
00:22:38,901 --> 00:22:41,235
IT WAS REAL, MICHAEL.
389
00:22:41,268 --> 00:22:43,835
WHATEVER ELSE YOU BELIEVE,
390
00:22:43,868 --> 00:22:47,201
IT WAS REAL.
391
00:22:52,001 --> 00:22:54,401
YOUR FIRST SET
STARTS AT 8:00.
392
00:23:34,768 --> 00:23:36,235
AH,
393
00:23:36,268 --> 00:23:40,201
I THOUGHT
I WOULD FIND YOU HERE.
394
00:23:42,635 --> 00:23:44,068
OH.
395
00:23:44,101 --> 00:23:46,601
I THOUGHT
RUSSIANS LIKED THE HEAT.
396
00:23:46,635 --> 00:23:48,635
THERE'S HEAT...
397
00:23:50,635 --> 00:23:53,301
AND THEN THERE'S HEAT.
398
00:23:54,093 --> 00:23:56,326
I HEAR THERE IS
399
00:23:56,360 --> 00:23:58,360
A NASTY BUG
ON THE LOOSE,
400
00:23:58,393 --> 00:23:59,517
A PARASITE.
401
00:23:59,551 --> 00:24:01,484
IT'S CALLED
THE FLU SEASON.
402
00:24:01,517 --> 00:24:03,217
IT'S MAKING THE HING
UNCOMFORTABLE.
403
00:24:03,251 --> 00:24:05,651
COULDN'T HAPPEN
TO A NICER BUNCH.
404
00:24:05,684 --> 00:24:07,284
PERHAPS,
405
00:24:07,317 --> 00:24:09,584
BUT WHEN THE HING
GET UNCOMFORTABLE
406
00:24:09,617 --> 00:24:12,084
THEY TEND
TO LASH OUT.
407
00:24:12,117 --> 00:24:14,017
THEN EVERYONE GETS
UNCOMFORTABLE.
408
00:24:14,051 --> 00:24:15,417
SOUNDS UNCOMFORTABLE.
409
00:24:15,451 --> 00:24:17,184
LOTS OF LOVE IN HERE.
410
00:24:17,217 --> 00:24:20,651
SOMETIMES YOU CAN'T
STAY NEUTRAL,
411
00:24:20,684 --> 00:24:22,384
EVEN IF YOU WANT TO.
412
00:24:22,417 --> 00:24:23,851
AH, SURE YOU CAN.
413
00:24:23,884 --> 00:24:28,351
ALL YOU NEED IS
ENOUGH MONEY TO RETIRE ON.
414
00:24:29,384 --> 00:24:30,817
LIKE WHAT YOU'D GET
415
00:24:30,851 --> 00:24:33,484
FOR A HING
SCOUT CRAFT?
416
00:24:37,617 --> 00:24:39,217
WITH THE RIGHT BUYER.
417
00:24:46,717 --> 00:24:48,217
'NIGHT, GUYS.
418
00:24:50,251 --> 00:24:51,751
MMM, THANKS.
419
00:24:51,784 --> 00:24:55,017
COME ON, LET'S GO GRAB A BITE.
420
00:24:55,051 --> 00:24:57,151
( ♪ )
421
00:25:14,051 --> 00:25:15,551
DO YOU EVER GET
422
00:25:15,584 --> 00:25:17,551
AN IDEA FOR A SONG
423
00:25:17,584 --> 00:25:20,984
THAT KEEPS RUNNING OVER
AND OVER IN YOUR HEAD.
424
00:25:21,017 --> 00:25:24,684
YEAH,
IT'S A BITCH.
425
00:25:33,051 --> 00:25:34,484
YOU'VE KNOWN MICHAEL
426
00:25:34,517 --> 00:25:36,551
A LONG TIME, HAVEN'T YOU?
427
00:25:36,584 --> 00:25:38,584
YEAH.
428
00:25:38,617 --> 00:25:40,917
A LONG TIME.
429
00:25:40,951 --> 00:25:45,051
( ♪ )
430
00:25:49,451 --> 00:25:52,451
( humming )
431
00:25:54,784 --> 00:25:58,451
♪ LIKE A GHOST FROM THE PAST ♪
432
00:26:00,884 --> 00:26:04,551
♪ HE BREEZES BACK IN ♪
433
00:26:07,017 --> 00:26:10,651
♪ LIKE A SOLDIER FROM THE WAR ♪
434
00:26:13,351 --> 00:26:18,184
♪ LIKE A FLOWER LOST IN SPRING ♪
435
00:26:18,217 --> 00:26:27,184
♪ AND I SEE HIM WALK
THROUGH THE RUINS OF TIME ♪
436
00:26:27,217 --> 00:26:31,084
♪ HE'S DECEIVING MY MIND ♪
437
00:26:31,117 --> 00:26:35,017
♪ MUST BE
THE ACCIDENTS OF LIFE ♪
438
00:26:35,051 --> 00:26:37,651
♪ OH-OH, OH-OH ♪
439
00:26:37,684 --> 00:26:43,684
♪ I HELD A CANDLE FOR HIM
IN THE CHAPEL LIGHT ♪
440
00:26:43,717 --> 00:26:49,851
♪ IS IT FATE OR DESTINY? ♪
441
00:26:49,884 --> 00:26:54,817
♪ OUT OF THE SHADOWS
TO HAUNT ME ♪
442
00:27:00,317 --> 00:27:04,284
♪ THE TRUTH, LIKE A TORCH... ♪
443
00:27:06,584 --> 00:27:10,117
♪ THAT BURNS THROUGH YOUR SKIN ♪
444
00:27:12,617 --> 00:27:16,317
♪ LIKE A KISS FROM THE SUN ♪
445
00:27:18,817 --> 00:27:24,017
♪ AND YOUR HEART JUST BEGINS ♪
446
00:27:24,051 --> 00:27:31,917
♪ AND I...I AM TORN
BETWEEN LOVE AND DESIRE ♪
447
00:27:31,951 --> 00:27:36,584
♪ AND IT BURNS ME LIKE FIRE ♪
448
00:27:36,617 --> 00:27:40,417
♪ MUST BE
THE ACCIDENTS OF LIFE ♪
449
00:27:40,451 --> 00:27:43,284
♪ OH-OH, OH-OH ♪
450
00:27:43,317 --> 00:27:49,084
♪ I HELD A CANDLE FOR HIM
IN THE CHAPEL LIGHT ♪
451
00:27:49,117 --> 00:27:55,184
♪ IS IT FATE OR DESTINY? ♪
452
00:27:55,217 --> 00:28:00,717
♪ HE'S BACK FROM THE SHADOWS
TO HAUNT ME ♪
453
00:28:04,917 --> 00:28:08,117
♪ HE'S BACK FROM THE SHADOWS ♪
454
00:28:13,217 --> 00:28:14,751
( door closing )
455
00:28:28,917 --> 00:28:30,251
HEY.
456
00:28:45,951 --> 00:28:49,051
YOU SHOULD
BE MORE CAREFUL
ABOUT WHO YOU HELP.
457
00:28:50,851 --> 00:28:52,917
HUH? WHAT?
458
00:28:52,951 --> 00:28:54,717
WHAT? NO!
459
00:28:56,751 --> 00:28:58,084
WHAT? NO!
PLEASE, NO!
460
00:28:59,251 --> 00:29:03,884
NO!
461
00:29:03,917 --> 00:29:06,317
( punches landing )
462
00:29:12,340 --> 00:29:14,274
OH, MY GOD.
463
00:29:30,374 --> 00:29:32,807
IT'S LOUDER WHEN YOU TURN IT ON.
464
00:29:32,840 --> 00:29:35,740
THEN YOU'D KNOW
HOW BADLY I PLAY.
465
00:29:37,040 --> 00:29:38,607
THERE'S TWO GUYS
466
00:29:38,640 --> 00:29:40,940
FIGHTING ON
THE EDGE OF A CLIFF.
467
00:29:40,974 --> 00:29:43,674
ONE IS LOSING,
BUT HE GRABS THE OTHER
468
00:29:43,707 --> 00:29:46,474
AND JUMPS OVER THE EDGE,
TAKING HIM WITH HIM.
469
00:29:46,507 --> 00:29:47,807
WHO WINS?
470
00:29:47,840 --> 00:29:50,074
NEITHER --
THEY'RE BOTH DEAD.
471
00:29:50,107 --> 00:29:51,640
FIGURED YOU'D SAY THAT.
472
00:29:51,674 --> 00:29:54,440
WHY DON'T YOU WANT
TO GO BACK TO AMERICA?
473
00:29:54,474 --> 00:29:57,240
LAND OF THE FREE,
HOME OF THE BRAVE.
474
00:29:57,274 --> 00:30:00,740
OH, I WANT TO GO BACK,
JUST NOT YET.
475
00:30:00,774 --> 00:30:03,340
WHY?
WHAT'S HERE FOR YOU?
476
00:30:03,374 --> 00:30:04,774
THINGS.
477
00:30:04,807 --> 00:30:07,074
AH, THINGS.
478
00:30:07,107 --> 00:30:10,074
THEY CAN DO THAT, CAN'T THEY?
479
00:30:10,107 --> 00:30:12,107
YEAH, THEY CAN.
480
00:30:13,907 --> 00:30:16,340
I COULD ARRANGE
A SAFE PASSAGE.
481
00:30:16,374 --> 00:30:20,774
NOW ALL I NEED IS
THAT HING SCOUT CRAFT.
482
00:30:20,807 --> 00:30:22,874
THAT WOULD HELP.
483
00:30:22,907 --> 00:30:25,840
WHY ARE YOU
SO HOT ABOUT THEM ANYWAY?
484
00:30:25,874 --> 00:30:29,574
IF YOU WANT ACTION, WHAT'S
WRONG WITH THE SPANISH FRONT?
485
00:30:29,607 --> 00:30:32,940
THERE ARE CERTAIN THINGS
ABOUT THEM THAT INTEREST ME.
486
00:30:32,974 --> 00:30:35,440
AH, THINGS.
487
00:30:35,474 --> 00:30:37,740
THINGS.
488
00:30:37,774 --> 00:30:40,707
RUMOR HAS IT THERE'S
A NASTY BUG GOING AROUND--
489
00:30:40,740 --> 00:30:43,574
OW! OOH!
490
00:30:52,374 --> 00:30:55,740
ACCIDENTS DO HAPPEN TO PEOPLE,
MR. RYAN.
491
00:30:55,774 --> 00:30:58,140
EVEN INNOCENT BUSINESSMEN.
492
00:30:58,174 --> 00:30:59,674
IS THAT WHAT HAPPENED TO FEEVI?
493
00:30:59,707 --> 00:31:01,140
FEEVI?
494
00:31:01,174 --> 00:31:03,607
THE GUY WHO LOOKED
LIKE HE FELL ASLEEP
495
00:31:03,640 --> 00:31:04,940
DURING A FIRE WALK.
496
00:31:04,974 --> 00:31:06,607
YES, I HEARD ABOUT THAT.
497
00:31:06,640 --> 00:31:07,940
TRAGIC.
498
00:31:07,974 --> 00:31:10,174
OF COURSE, NOW THAT HE'S DEAD,
499
00:31:10,207 --> 00:31:13,540
HE CAN'T VERY WELL MAKE
ANY MORE BUSINESS DEALS.
500
00:31:13,574 --> 00:31:15,040
OF COURSE.
501
00:31:15,074 --> 00:31:17,040
THEN, ON THE OTHER HAND,
502
00:31:17,074 --> 00:31:21,007
THERE ARE ALWAYS
MORE BUSINESSMEN.
503
00:31:31,807 --> 00:31:33,774
THEY'RE SENDING
A MESSAGE.
504
00:31:33,807 --> 00:31:37,340
WHY DOES MICHAEL
HATE YOU SO MUCH?
505
00:31:37,374 --> 00:31:39,007
I DON'T KNOW.
506
00:31:39,040 --> 00:31:41,507
MIGHT HELP US
GET OUT OF HERE.
507
00:31:41,540 --> 00:31:43,440
YOU SAID HE WAS DEAD.
508
00:31:43,474 --> 00:31:44,940
I THOUGHT HE WAS.
509
00:31:44,974 --> 00:31:46,340
REALLY?
510
00:31:46,374 --> 00:31:48,907
DID YOU REALLY THINK HE WAS?
511
00:31:48,940 --> 00:31:51,440
I HEARD HE WAS SHOT DOWN.
512
00:31:52,607 --> 00:31:55,007
UNBELIEVABLE.
513
00:31:57,907 --> 00:31:59,840
I'M GOING FOR
A WALK.
514
00:31:59,874 --> 00:32:02,874
I'LL MEET YOU
BACK AT THE HOTEL.
515
00:32:10,940 --> 00:32:12,707
( rod falling on ground )
516
00:33:09,740 --> 00:33:13,607
WOULD YOU PLEASE TELL MICHAEL
I'D LIKE TO SPEAK TO HIM?
517
00:33:13,640 --> 00:33:17,940
SURE, BUT HE'S
NOT HERE RIGHT NOW.
518
00:33:17,974 --> 00:33:21,474
DID HE GO HOME?
519
00:33:21,507 --> 00:33:24,374
I DON'T KNOW.
520
00:33:27,440 --> 00:33:31,374
WELL, WHEN DID YOU
LAST SEE HIM?
521
00:33:31,407 --> 00:33:34,574
WHY DON'T YOU
LEAVE HIM ALONE?
522
00:33:34,607 --> 00:33:38,540
WHY DON'T YOU HELP ME,
AND THEN I WILL.
523
00:33:49,374 --> 00:33:51,340
( footsteps approaching )
524
00:33:51,374 --> 00:33:53,840
I NEED THAT SCOUT CRAFT,
MICHAEL.
525
00:33:53,874 --> 00:33:55,374
HELLO, CASS.
526
00:34:03,474 --> 00:34:05,374
OH, MY GOD.
527
00:34:08,640 --> 00:34:10,274
OH.
528
00:34:10,307 --> 00:34:12,374
NO, NO, NO.
529
00:34:13,507 --> 00:34:16,540
WHAT HAVE THEY DONE TO YOU?
530
00:34:16,574 --> 00:34:18,840
IT'S CALLED A HING HICKEY.
531
00:34:18,874 --> 00:34:21,407
THEY USED GLOW-FISTS,
532
00:34:21,440 --> 00:34:24,307
RED HOT GLOVES THAT
BURN RIGHT THROUGH FLESH.
533
00:34:24,340 --> 00:34:27,774
IT'S THEIR FORM
OF FRIENDLY PERSUASION.
534
00:34:27,807 --> 00:34:30,840
HEY, YOU CAN PUT
THAT GUN DOWN NOW.
535
00:34:36,974 --> 00:34:40,107
AND DID THEY
PERSUADE YOU?
536
00:34:40,140 --> 00:34:42,774
WE NEED THAT SCOUT SHIP,
MICHAEL.
537
00:34:44,540 --> 00:34:47,674
I NEED THAT SCOUT SHIP.
538
00:34:47,707 --> 00:34:51,407
YOU KNOW, ONLY IN BAD MOVIES
DO THE BAD GUYS TALK A LOT
539
00:34:51,440 --> 00:34:53,774
BEFORE THEY SHOOT YOU.
540
00:35:09,674 --> 00:35:12,074
MICHAEL.
541
00:36:41,207 --> 00:36:42,607
MICHAEL.
542
00:36:42,640 --> 00:36:44,307
SHH.
543
00:36:53,307 --> 00:36:55,607
THIS IS NEW.
544
00:36:55,640 --> 00:36:56,940
FUNNY THINGS HAPPEN
545
00:36:56,974 --> 00:37:01,374
WHEN YOU HIT THE GROUND
AT MACH THREE.
546
00:37:03,374 --> 00:37:05,774
( screaming in pain )
547
00:37:05,807 --> 00:37:07,207
CASS?
548
00:37:10,374 --> 00:37:12,374
( breathing rapidly )
549
00:37:13,874 --> 00:37:15,707
OH, THAT WAS FUN.
550
00:37:19,574 --> 00:37:20,974
SHH-SHH.
551
00:37:21,007 --> 00:37:22,774
IT'S GOING TO BE OKAY.
552
00:37:22,807 --> 00:37:26,074
I CAN'T LET THEM GET TO ME,
MICHAEL.
553
00:37:26,107 --> 00:37:27,974
I CAN'T.
554
00:37:28,007 --> 00:37:31,674
IT'S GOING TO BE OKAY.
555
00:37:33,758 --> 00:37:36,599
MICHAEL HASN'T BEEN
IN HIS PLACE ALL NIGHT.
556
00:37:36,633 --> 00:37:39,599
I THINK HE'S ABOUT
TO MAKE A MOVE.
557
00:37:39,633 --> 00:37:42,133
I WOULD ALMOST
GUARANTEE IT.
558
00:37:42,166 --> 00:37:45,133
ARCHANGEL IS
NEUTRALNYCH TERRITORYA --
559
00:37:45,166 --> 00:37:47,233
NEUTRAL TERRITORY,
560
00:37:47,266 --> 00:37:48,966
HIGH CENTURION.
561
00:37:48,999 --> 00:37:51,966
I DIDN'T REALIZE
YOU CARED FOR HIM SO DEEPLY.
562
00:37:51,999 --> 00:37:53,566
I DON'T.
563
00:37:53,599 --> 00:37:55,999
THEN THAT MAKES TWO OF US.
564
00:37:56,033 --> 00:38:00,566
HOWEVER, I'LL AGREE,
HE'LL SOON MAKE A MOVE.
565
00:38:00,599 --> 00:38:03,099
HE'S BEEN SITTING
ON THE FENCE TOO LONG.
566
00:38:03,133 --> 00:38:05,666
ALL HE NEEDS IS A LITTLE NUDGE.
567
00:38:05,699 --> 00:38:09,566
AND THEN HE'LL EITHER
GIVE US THE SCOUT SHIP
AND THE SOLDIERS,
568
00:38:09,599 --> 00:38:12,499
OR WE'LL ARREST ALL THREE.
569
00:38:12,533 --> 00:38:14,933
HOW WILL WE KNOW
WHEN IT'S GOING TO HAPPEN?
570
00:38:14,966 --> 00:38:17,433
I HAVE A MAN WATCHING HIM.
571
00:38:23,899 --> 00:38:25,899
THIS WAY.
572
00:38:29,366 --> 00:38:32,299
ARE YOU IN LOVE
WITH HIM?
573
00:38:32,333 --> 00:38:33,666
WINSTON, DON'T.
574
00:38:33,699 --> 00:38:35,466
THE WORST THING
ABOUT WAR
575
00:38:35,499 --> 00:38:37,766
IS NOT WHAT
THE ENEMY DOES TO US --
576
00:38:37,799 --> 00:38:39,566
IT'S WHAT WE DO
TO OURSELVES.
577
00:38:39,599 --> 00:38:42,133
I'M NOT LEAVING WITHOUT YOU.
578
00:38:42,166 --> 00:38:43,699
I KNOW.
579
00:38:48,299 --> 00:38:49,633
I LOVE YOU.
580
00:39:10,099 --> 00:39:11,633
( dogs barking )
581
00:39:11,666 --> 00:39:14,299
I THINK WE'RE BEING FOLLOWED.
GET DOWN.
582
00:39:14,333 --> 00:39:16,433
SINCE WE LEFT THE VEHICLE.
583
00:39:17,466 --> 00:39:19,166
COME ON.
584
00:39:29,666 --> 00:39:31,766
YOU GO ON,
585
00:39:31,799 --> 00:39:33,266
I'LL HOLD THEM OFF.
MICHAEL--
586
00:39:33,299 --> 00:39:35,733
NO, SUDDENLY THE PROSECT
OF RETIREMENT BORES ME.
587
00:39:36,183 --> 00:39:37,850
GET READY TO RUN.
588
00:39:41,983 --> 00:39:43,616
( machine guns firing )
589
00:39:51,500 --> 00:39:54,533
HOW MUCH ARE THEY
PAYING YOU, TERI?
590
00:39:54,566 --> 00:39:56,966
NOTHING, I DID IT
FOR THE WHOLE WORLD.
591
00:40:03,400 --> 00:40:04,833
AHH!
CASS!
592
00:40:13,800 --> 00:40:15,900
IT'S BAD.
593
00:40:19,666 --> 00:40:21,366
JUST GO!
NO.
594
00:40:21,400 --> 00:40:23,800
NO, WE'RE GOING TO
GET YOU OUT OF HERE.
595
00:40:23,833 --> 00:40:25,233
( screaming in pain )
596
00:40:27,533 --> 00:40:28,866
NO, THEY'LL CATCH YOU.
597
00:40:28,900 --> 00:40:31,566
JUST GO, PLEASE.
598
00:40:33,733 --> 00:40:35,800
SHH-SHH.
599
00:40:35,833 --> 00:40:37,766
( Sulat Ray )
MICHAEL!
600
00:40:37,800 --> 00:40:39,266
GIVE IT UP!
601
00:40:39,300 --> 00:40:40,866
MICHAEL.
602
00:40:40,900 --> 00:40:42,700
I'LL HOLD THEM OFF.
603
00:40:45,366 --> 00:40:47,400
SURE CAN SING, CAN'T SHE?
604
00:40:47,433 --> 00:40:48,933
LIKE A BIRD.
605
00:40:56,866 --> 00:40:58,700
SHH-SHH.
606
00:40:58,733 --> 00:41:01,266
JUST BREATHE.
607
00:41:01,300 --> 00:41:02,966
JUST BREATHE.
608
00:41:38,966 --> 00:41:40,633
I NEED YOU TO GET UP,
609
00:41:40,666 --> 00:41:42,066
OKAY?
610
00:41:42,100 --> 00:41:44,100
GET UP. COME ON.
611
00:41:46,466 --> 00:41:47,800
COME ON.
612
00:41:47,833 --> 00:41:48,883
WE'RE THERE.
613
00:41:48,916 --> 00:41:50,283
LET'S GO.
614
00:41:54,683 --> 00:41:58,150
YOU'RE GOING
TO MISS YOUR RIDE.
615
00:41:58,183 --> 00:42:00,783
TAKE THE HOPPER.
616
00:42:03,716 --> 00:42:05,350
GO, NOW!
617
00:42:09,316 --> 00:42:10,883
NOW WHAT?
618
00:42:10,916 --> 00:42:13,350
TIME TO GET BACK IN THE GAME.
619
00:42:15,416 --> 00:42:18,750
THERE IS NATO BATTALION
JUST EAST OF ONEGA.
620
00:42:18,783 --> 00:42:20,850
THINK THEY GOT COFFEE THERE?
621
00:42:20,883 --> 00:42:23,116
I IMAGINE.
622
00:42:51,950 --> 00:42:54,616
( aircraft lifting off )
623
00:43:00,316 --> 00:43:03,583
( Control Voice )
TRUE SACRIFICE IS NOT
WHAT WE SURRENDER,
624
00:43:03,616 --> 00:43:07,857
BUT WHAT WE ULTIMATELY GAIN.